November | 2008 | Amalgam Digital Blog

 

Jedi Mind Tricks

Sunday, November 30th, 2008
amalgam-jedimindtricks Jedi Mind Tricks
Artist: Vinnie Paz
Interviewer: Darrell Nance

Jedi Mind Tricks

Vinnie Paz interviewed by Darrell Nance 11-30-08

AmalgamDigital.com: Please explain the meaning behind your JMT symbol?

Vinnie Paz: The JMT logo is from the “I Ching”. It means the spiritual rebirth, uh yea, so that’s what it means.

AmalgamDigital.com: Vinnie, I know in the past you and Jus Allah had a few problems, and I don’t want to go into all of that, but what has changed to allow you to work together again?

Vinnie Paz: I mean we were friends first and foremost so you know in regards to the friendship it was you know we were young when the records were successful we didn’t really know what we were doing, you know what I’m saying, so we just had problems on how to handle our business. But you know once we grew up, got older, deaded that it went back to where it was before.

AmalgamDigital.com: I know a lot of the inspiration for you music comes spiritually, but is there or are there particular artists you listened to growing up that you take inspiration from, and more importantly, are there artists you’ve worked with that had more impact than others?

Vinnie Paz: Yea I’d say that single handedly the biggest influence on me was Kool G Rap, both before and now. You know and I got to work with him so you know in regards to someone influencing me hip hop wise it was Kool G but I grew up listening you know to Slayer and King Diamond, Immersible Fate and things like that and all that shit sort of influences what I do as well so you know.

AmalgamDigital.com: It seems like in a transitional period in the music industry even your most recent album (Servants in Heaven, Kings in Hell) sold more copies then previous releases. Would you attribute this to the digital age and the ability to reach more fans easier especially coming from an independent label?

Vinnie Paz: I think the reason we’re able to sustain sales and success and touring is because unlike most groups it seems like we continue to regenerate fans whereas most groups, their fans grow with them and as they get older you know people become less interested. But it seems like the kids continue to stay young at our shows so I don’t know if it’s attributed to digital stuff or anything like that I think it’s more you know the ability to regenerate fans and if that’s what keeps us relevant and why we’re able to stay successful. I mean the digital shit is a double edged sword cuz’ it expands your fan base but at the same time with the illegal downloading you know there’s people stealing your shit so it’s double edged.

AmalgamDigital.com: I’ve yet to hear “A History of Violence” that was released Nov. 11th, what should fans expect?

Vinnie Paz: I mean, you know we’re not really a group that changes our formula man or really switches up what we do or how we do it so, I mean if you’ve been a fan you know you can expect the same shit that we’ve been doing for over 15 years, you know we just make east coast rap music, you know hardcore shit.

AmalgamDigital.com: What’s the inspiration of the names of songs on your albums, they went from revolving generally around the hook to abstract interpolations of the songs (ala Wu-Tang) to your more recent release “Servants In Heaven, Kings In Hell” where the title sounds befitting of a metal album.

Vinnie Paz: Yeah I mean it’s heavily metal influenced. The reason of the titles or the artwork or the imagery just in general is I think traditionally hip hop whether it’s artwork, song titles or you know album names or even art work designs has typically been bored and uh you know really cliché so we just wanna make shit different and you know not as traditional as typical rap records.

AmalgamDigital.com: When do you think were the golden years for Philly hip hop or do you think that pinnacle has been reached yet?

Vinnie Paz: That’s a hard question I don’t think I can predict whether or not it’s at it’s pinnacle yet, I mean the golden years for me were like you know 85-95 like you know cuz Philly had a lot to do with a lot of records coming out of everywhere whether it’s New York or you know Philly was putting out New York records on pop art records back in the mid to late 80’s so I mean that’s when I grew up and that’s the shit that affected me.

AmalgamDigital.com: Your 3rd album: “Visions of Ghandi” was influenced by the need for a leader that promoted non-violent social change. Do you believe President Elect Obama will have the ability to influence the masses in this way?

Vinnie Paz: I can’t pretend to be smart enough to know whether or not he’s capable of that yet, I mean it’s November he’s the president elect, he’s not even in yet but I’d like to believe that you know. I think that if you have hope in your heart then that’s what you hope for but you know whether or not he’s the one capable of that you know remains to be seen I guess you’d have to ask me that question in another year.

AmalgamDigital.com: How did you celebrate the Phillies winning the World Series?

Vinnie Paz: (Laughs) That was great man you know we finally got a championship again 25 years after the Sixers in ‘83 but you know we were on tour, we were actually in the middle of nowhere in Nebraska but we parked up and made sure we all watched the game together you know we went crazy and had mad complaints from the other people in the hotel but we had a ball.

AmalgamDigital.com: In the song “Into the Arms of Angels” is everything you’re rapping about based on experience?

Vinnie Paz: Actually all 3 versions, Phaze1, Crypt The Warchild from Outerspace and myself, on everyone’s version we made it a point to write a autobiographical verse so yeah, all that shit is pretty much how it went down.

Make sure to get a copy of A History Of Violence by Jedi Mind Tricks

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Top 5 Dead Or Alive: Max B

Wednesday, November 26th, 2008

From AllHipHop 

 
Max B discusses who is in his "Top 5 Dead Or Alive" for AllHipHop.

5. The Notorious B.I.G.

Biggie Smalls

Max B.: B.I.G. had them creepy stories. He made them vivid, he did everything vivid. He was a big nasty n**** but b*****s loved him at the same time. He had that wave. B.I.G. was wavy. The West Coast at the time was tough, they had the beats. They had the music; they had the hooks and all that so that’s why they were smashing the game. The east coast n****s gave them problems. Puff came with the different music, the hooks, the samples and B.I.G. had the street sh*t so they brought it back. That ’94, ’95 wave.

B.I.G. had a lot of joints. He had “N****s Bleed”, “You’re Nobody Till Somebody Kills You”; that was my joint. I’ll go with that one; that was my favorite. I liked the darker joints from B.I.G. I was never a big fan of “Gimme The Loot”; I don’t think that was his tempo. It was a little too angry and rowdy for me. I’m a smooth music type n****. I like the smooth hard stuff.

4. Tupac Shakur

Tupac Shakur

Max B.: 'Pac was a renegade; it was him against the world. He delivered that great music for the people. He spoke his peace and spoke for what he believed in. To me Pac’s best work was All Eyez On Me. He came home with that wolf wave; that hunger. Even when he was bombing on the east coast, the music was still good so I was still riding with it. All Eyez On Me was everywhere. [more]

1., 2., & 3. Max B

Max B

Max B.: I’m the top three then there’s Pac and B.I.G. I’m three n****s in one. Everybody always put up the five that they say is the five. I ain’t with that. I got my own five. Nobody do my sh*t. I’m an originator. I put out a hundred something songs this year, how about that. Let’s talk about that.

[His response when asked to reconsider his choices for 1.,2., and 3.]

Max B.: Top five what? I told you I was the top three. We all know who the hottest n**** in the street is man. I am the top three and Pac and B.I.G. is after me. I am the greatest. Nobody can do what I do, nobody. If I don’t think like that, there’s isn’t no Biggavel. I keeps it wavy baby.

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Breeding Ground Highlights

Tuesday, November 25th, 2008

I saw a post yesterday the other day shouting out the allhiphop.com breeding ground at SOB's last night week.  Luckily, I had the oppurtunity to drop by (I'd never been to a Breeding Ground show before). 

My 2 main highlights for the night:

Joell Ortiz

I always thought dude was cool, but never really checked for his shit like that.  He got me though. Dude OWNED the crowd that night for his set.  Front to back. Killed it. He's a real talented dude, and it was nice to see him give his all to the crowd, and have the crowd give there all to him. He really deserved that shit.  I will now seriously be checking for his shit. That's the mark of a good performer.
[more]

Blitz the Ambassador
Off rip I gotta say, Blitz is my dude. So there could be percieved bias, but i don't think so. Reason being, I have lots of friends that perform, and i have no problem saying they aren't that good. Thankfully, Blitz doesn't fall in that category. Dude brought a 3 piece horn section along with his band (his drummer also plays for the Platinum Pied Pipers, PLEASE don't sleep on them!!!).  The set (to me atleast) was the other highlight performance of the night.
(PS, check out Blitz tonight w/ Amanda Diva and Che Grand @ Knitting Factory–all w/ live bands)

Also, Shouts out to Torae and Mecca who had dope sets as well….I always love when an artist seems to have a real cool personality, and they let that shit show off on stage….it's automatically entertaining.

Overall, I'm conflicted.  I'm happy that so many different types of hip-hop were represented.  From Joell Ortiz to Charles Hamilton, the spectrum of performers was wide-spanning.  It's kinda discerning, though, when it feels like a kat like Torae couldn't get crowd love for shit.  Not because I thought his shit was doper than anyone else's per se (it WAS dope, though), but because he couldn't even get applause for shouting out DJ premier for producing one of his tracks (how PREMIER not gonna get love in NY??)…almost like rappers don't wanna give it up for other rappers, cuz it ain't them.  I might honestly be wrong, but i'm just trying to approach this like an outsider observing.  I've seen scenes where folks don't wanna work together, or wanna leave after their set and never stay for the others, or b-boy stance everyone else.  All it ever does is put negative energy in the air. It doesn't really help anyone, including the one b-boy stancing.  I'm not saying that was definitely happening, just sayin I know how that shit goes and what it leads to…it's not worth it.

Overall, dope shit though. Good vibes from everyone I saw and got to meet. Check me out Sunday At End of The Weak in Manhattan if your in NY.

peeeeeeace

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Dub MD Presents Hip Hop Renatus Mixtape

Tuesday, November 25th, 2008
Click Artwork To Download

Dub MD presents the brand new exclusive mixtape project entitled "Hip Hop Renatus" with some of the most slept on and underrated emcees featuring the likes of Supastition, Skyzoo, Sha Stimuli, Mr. Live, 6th Sense, Sic Osyrus, Fred Knuxx, Karneige, Access Immortal, Donny Goines, Diablo Archer, Emilio Rojas, D.V. Alias Khryst, Wordsmith and many more, doing what they do best over some of the greatest producers in the Hip Hop's "New, Rare, Classic & Unreleased" instrumentals including J Dilla, DJ Premier, Pete Rock, ?uestlove, Large Professor, Oddisee, Illmind, Marley Marl, Madlib and 9th Wonder just to list a few.  [more]
 
Renatus in old Latin meaning Born Again/Reborn: 44 emcees over 34 handpicked beats! Thirty four tracks of that raw, authentic, no apologises Hip Hop music for the purest, 100% EXCLUSIVE from the emcee to this project, with a classic intro by the genius that is DJ Unexpected. This new mixtape is available for exclusive FREE DOWNLOAD right here, so pass it around, throw it on your iPod or burn it to CD-R, its yours! Thanks to everyone for all the continued support!

01.) The Genesis (Intro By DJ Unexpected)
02.) 6th Sense – Hip Hop Renatus (Produced By Erick Sermon)
03.) Mr. Live feat. Earl Blaize – The Bitch That You Are (Produced By Oddisee)
04.) Sic Osyrus & Donny Goines – Why Lord? (Middle Fingers Up) (Produced By Khrysis)
05.) Karniege – The Kush (Produced By Jake One)
06.) Skyzoo – Bang This (Produced By The Alchemist)
07.) Dominique Larue – Role Play (Produced By 9th Wonder)
08.) Emilio Rojas – E To The M-I-L-I-O (Produced By J Dilla)
09.) Access Immortal – Stay Strapped (Produced By DJ Premier)
10.) Melodiq feat. Nikal Fieldz – Bottom Of The 9th (Produced By 4th Disciple)
11.) Diablo Archer feat. Myk Dyaleks (of BrokN.English) – We The New Era (Produced By Domingo)
12.) Sha Stimuli – Today We Living (Produced By Nottz)
13.) Fred Knuxx – Air 'Em Out (Produced By Hi-Tek)
14.) Laelo Hood – Extra, Extra! (Produced By DJ Khalil)
15.) Supastition – Sound Of Reform School (Produced By Black Milk)
16.) Black ELement – Feel The Hunger (Produced By DJ Scratch)
17.) Droppin' A Message (Interlude)
18.) Zero Star – On My Backpack Shit (Produced By Large Professor)
19.) Little Vic – Let The Dollar Circulate (Produced By Ayatollah)
20.) Cymarshall Law – This Is The End (Produced By Salaam Remi)
21.) Donnan Linkz – Buzz Kill (Produced By Oh No)
22.) Cy Yung aka Cyrano – OK Corral (Produced By Madlib)
23.) Tislam The Great – Once Again (Produced By Questlove)
24.) Faro – Love Me Or Hate Me (Produced By Scram Jones)
25.) Arsun F!st – I'm In Here (Produced By Marco Polo)
26.) Sense-I – Sense-I's The Name (Produced By Nicolay)
27.) Wordsmith feat. Kontact & Black Knight – Signing Day (Produced By Pete Rock)
28.) Journalist 103 – Til' The Trumpets Blow (Produced By Illmind)
29.) Clap Cognac feat. Jedi Knight – Chosen Ones (Produced By Havoc)
30.) City Scholar – The Rebirth (Produced By Evidence)
31.) Detroit Red – Hip Hop Redefined (Produced By Buckwild)
32.) D.V. Alias Khryst feat. Retsam Da Prince – It's Da Govarmynt (Produced By Marley Marl)
33.) Nametag – Champagne Bottle Flow (Produced By Ski Beatz)
34.) Panama aka Da Spanish Kid – Born Ready (Produced By RZA)
35.) Hi-Coup feat. Spectacula – My Father Told Me (Produced By M-Phazes)
36.) Preach Jacobs feat. N'telligence – Mic Check (Produced By Rockwilder)
37.) The Exodus (Outro By DJ Unexpected)

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Street Style Series: Stockholm, Sweden

Tuesday, November 25th, 2008

I’ve decided to kick off a new series of insight into the fashion world overseas. Americans love their Uggs, Nike Dunks, IPods and what have you…but I wonder if we are influential or influenced by other regions of our world. We obviously know Milan, Paris, and Hong Kong are the biggies but… I would like to look deeper into unseen fashion realms. So to kick it off I give you street style of the beautiful people of Sweden’s capital Stockholm.  Almost a quarter of Sweden’s total population resides in this gorgeous city.

And here are examples of their street style:

After much research I have found that major trends now in Stockholm include lots and lots of tights of all different types and styles…and Swedes dig the side ponytail. I can’t wait till the day side ponytails are brought back in the US so that I will have endless entertainment…some trends make me giggle.

Peace,

*~*Dre*~*        

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We Get Amalgam Money

Monday, November 24th, 2008

New heat from Max B


Amalgam Money!

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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Amalgam Digital + Joe Budden + The Game = The Future

Tuesday, November 18th, 2008

Sneak peak of Joe Budden's new single The Future featuring The Game.
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Trick Trick & The Curse Of The Yung Berg Chain

Tuesday, November 18th, 2008

No explanation needed, just watch.

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Joe Budden TV

Monday, November 17th, 2008

Gone Til November


[more]
Budden vs. D12/Royce

Old Racist Guy

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Miguel Jontel – Michief The Mixtape + Videos

Monday, November 17th, 2008


Click The Image To Read His Interview w/I'm Flashy

“I was born to perform”, says 22 year old singer and song writer
Miguel, stating that his parents have an excess amount of footage of
him singing around the house at a young age. Heavily influenced by his
parent’s choice of music, Miguel’s mother (African American) introduced
him to soul music. Miguel’s father, of Mexican descent, introduced him
to a lot of Hip Hop and Classical Rock. Miguel stated that It is
essential to be exposed to all different types of music when you are an
up and coming recording artist allowing you to be more creative in the
genre you are catering to. Other than music his mixed ethnicity has
played a role in his life, as a youth, he was faced with a lot of
issues with being half African American and Mexican since in the late
80’s and early 90’s blacks and Mexicans were always caught with inner
city beef. “I was never the type to choose sides; I represented both,
because that’s who I am. When you take a firm stand, people come to
understand and respect you.” – I'm Flashy

Download His Mixtape [more]

Click The Photo To Download

Miguel Jontel – Be My Vixen




J Dilla & Blu – Sun Is In My Eyes feat Miguel Jontel



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