
Sean Price / “Jesus Price Supastar”
In the eighth grade, I got a back seat blowjob on my class trip to Philadelphia. Years later, on a Greyhound ride to New York, I convinced a cool orthodox Jew sitting next to me to sniff Special K.
Until the listening party for Sean Price’s new album, those were the two best times I’ve ever had on a bus.
Before most rappers drop new releases, their publicists host preview parties. The events are usually held at clubs, lofts or studios, where critics are given multiple drinks, and sometimes smoke and grub, while they listen to the album. If we’re lucky, the artist will surface, and maybe even reluctantly offer some generic quotes (i.e. – “Hip-hop needs this album right now, knawmsayin’”) before disappearing behind velvet ropes to spit champagne with his entourage. More...
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Cop it here
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Tame One Da Ol Jersey Bastard drops tomorrow.
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Hip hop has
always been about being seen, heard, and outdoing any competition to see who’s
has with more style. Have you ever been in a situation where people think
they’re rap battling when they’re actually rap babbling? It’s embarrassing
to keep the flow going, and fall off and have to get back on beat. As hard as
freestyling is, you have to commend those that have stamina and cadence to what
they say. Some are naturals at the artform, and should just leave the mic
alone.
Here’s a
clip of two high school kids by the names of Eli and Envy. They’re judged by
their classmates in a contest to figure out who can really rock. You be the
judge of this. This is comical, yet cautionary tale that if you’re at a party
in a cipher, or trying to impress some people watching, have fun in the
freestyle cipher but make sure you have at least two couplets of rhymes
together. Check it out.
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Eegads! I just discovered the most neato rapper of all time! Please don’t be offput by the fact that he’s middle class and white. I’m sure that, after watching this, you’ll understand just how appealing it can be!
He’s a real soulful dude.
“We’re all just fight, for equal rights.” Word. More...
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Somewhere on a corner in Queens
there’s a thug who’s been waiting for this since before white kids shot up
schoolyards. The Testament is Cormega’s first full album, recorded for
Violator/Def Jam between ’96 and ‘97.
After Nas and the rest of the Firm crew ditched him for payday with Dr.
Dre, Mega stayed in Queensbridge with producers like Sha Money XL and
Havoc. The LP was ultimately shelved,
but a lot of people, including me, thought they copped the complete fruits of
his temper on mixtapes and Limewire. To
our surprise, Cormega emerged as the only one with a complete master. The release features classics such as “Dead
Man Walking” and “Angel Dust,” but also promises some unleaked bangers and rare
archival gems like “Love is Love.” Other
notables are “Testament” and “Montana Diary,” on which Mega showed his first
signs of allegorical prowess. Since
recording this album he’s independently released four LP’s and two mixtapes,
all of which have been bloated with Cormega’s unique brand of mellow thuggetry. But even though his entire track record has
consistently bumped for “overachievers and young thugs born to hold heaters,” The Testament is without-a-doubt his
most authentic throwback to New York
hip-hop at its finest moment.
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The “MAN on
the MOON” KiD CuDi is a Cleveland native who may
have caught your ear on the melodic Day ‘N Nite track.
What I like most about his music is his unique choice of
“stoner-friendly” beats to rap over that Plain Pat (who is also his manager),
Dot Da Genius, and Emile laced him with on the “A KiD Named CuDi” mixtape. Along with beat selection, hypebeast-favorite
DC representative Wale is featured on his “Is There Any Love?” track. CuDi is getting a lot of love in publications
such as URB, FADER, and Rolling Stones ever since touring with Fool’s Gold on
their North American Tour as well as his big debut at Fool’s Gold’s SXSW
Showcase playing next to the likes of Chromeo and Kid Sister. With the trendy hipster image and key
cosigners, KiD CuDi has caught the eye of many tastemakers. This obviously means that… hipster rap got
next!
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Dre |
Thursday, July 17, 2008
So I was surfing through MySpace music the other day to see who the top
rated hip-hop artists were. What I found actually made me puke in my mouth a
little. The number one female hip-hop artist is none other than Ms. Tila
Tequilla. Are you serious? People actually listen to that crap. So I decided to
take a little listen to see where all the hype was coming from, I thought maybe
she actually is good. Well sorry folks… she is absolutely terrible. And no
offense Tila lovers but her face looks likes she’s been run over by an
18-wheeler a few times. Wow that felt good to vent out.
So on to more important business, where are all the TALENTED female rappers
at? It’s almost as if they’re nonexistent anymore. This makes me really sad. So
I’m going to do a little recap on who I believe are some of the most talented
female rappers of our time. Unfortunately they are all getting old and will
most likely retire soon. So I’m hoping this post will inspire some amazing
female MC ‘s to get off their asses and More...
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