March | 2008 | Amalgam Digital Blog

 

Independents Day

Tuesday, March 25th, 2008
amalgam-independentsday Independents Day
Artist: Jim Mahoney
Interviewer: Angelo Snakeyes

Independents Day

Jim Mahoney, VP of Membership for A2IM interviewed by Angelo Snakeyes 03-25-08

AmalgamDigital.com: When and why was A2IM formed and how long have you been involved with it?

Jim Mahoney: A2IM was formed in 2005 and officially launched on July 4, 2005. It was formed by a handful of fervently independent music executives including but not limited to Tom Silverman of Tommy Boy, Lesley Bleakley of Beggars Music Group, and Steve Gottlieb of TVT Records. It was formed primarily because there was a recognition that Independent music labels were being left out or not receiving fair and equitable treatment in the new, emerging technological market place. A2IM was formed to give Independent music companies the voice and treatment deserving of a sector that is responsible for over 30% of the music industry’s sales.

I learned about A2IM in 2006. Having spent my entire career at Independent companies (Profile Records, Roadrunner Records, and Fat Beats) I’d become particularly passionate about the barriers to entry and lack of equal treatment faced by Independents and how damaging I’d found that to great music and great businesses. Putting my money where my mouth was, I decided to go to work for A2IM in March of 2007.

AmalgamDigital.com: As the VP of membership, what are you responsibilities and what is a typical day like for you?

Jim Mahoney: The Independent community faces so many challenges that no day is really typical. A2IM’s agenda covers lobbying, commerce, and member services/education. With a full time staff of 3 we rely upon the coalitions we can create with other like-minded organizations or upon our members, committees, and our board of directors to accomplish tangible goals for our members and the Independent label community. So, I can spend my days communicating our services to new, potential members looking for them to join A2IM (we’re more effective in our efforts to lobby the larger the number of Independent music companies we count as members) or communicating with our current members and partner organizations about our initiatives so that they can be educated and/or help us achieve our goals or hearing from members about questions or problems they have so that we can find answers or solutions for them.

AmalgamDigital.com: What has been your most challenging endeavor since you began at A2IM?

Jim Mahoney: Short answer: like everyone else in our industry, the time to get to everything on my to-do list everyday. With several hundred members, thousands of potential members, and the initiatives we’re working on it’s a difficult juggling act. But as I said, this is a challenge faced by EVERYONE these days.

AmalgamDigital.com: What are some of the conventions that A2IM has had a presence at and what feedback did you receive?

Jim Mahoney: There are so many conferences and conventions these days and we try our best to have a presence at as many as possible. In 2008 to date we’ve attended MIDEM, Billboard Music & Money, Digital Music Forum East, and SXSW. Upcoming in the next couple of months, we’ll be at NARM and London Calling and a couple of others I’m sure. Without question, the A2IM pavilion at MIDEM generated the most feedback. We hosted 125 A2IM member companies working, meeting, and conducting business at this international licensing and distribution conference. The A2IM member companies ranged from single person startups to large, well known brands. The bee-hive of activity created by such a large American Independent presence at MIDEM created value for the conference, for A2IM, and for each of our attending members. A fantastic event! One of A2IM’s primary missions is to make sure that our members have an increased profile at important industry events. Independent music is without a doubt important to music fans, to every form of media, support and service company, and to our industry’s health but without proper representation the companies that invest in and release Independent music would be left scratching at the edges of our business, lacking profile, and perhaps missing out on vital commerce opportunities.

AmalgamDigital.com: Where do you see the industry heading in terms of physical distribution of music versus digital distribution?

Jim Mahoney: Much greater minds than me are working on and philosophizing upon the answer to this question. That said, I believe the answer to all things in the future lies within the concept that providers must deliver to the individual what he prefers and that answer isn’t the same for each person. If person A prefers speaking on the phone, person B prefers e-mail communication, person C prefers exchanging widgets and being updated by those widgets, and person D prefers social network communications we live in an age where the person generating a message must use each of these preferred avenues of communication. The same might be true of delivery of music and that means that we’ll need to produce a CD, a downloadable MP3, a streaming track for services such as Pandora or Soma-FM, delivery methods for phones, ad supported sites, social networks, etc. On top of that, we’ll need to fairly monetize all usage of our music starting with the establishment of a performance right royalty to be paid to performers and rights holders when music is played on traditional radio (such a royalty exists already when a song is played on non-terrestrial services like Internet radio, satellite radio, and cable services such as Music Choice AND this royalty also exists for traditional radio in every other economically advanced nation in the world other than the U.S.).

AmalgamDigital.com: Do you think recent trends such as USB’s and digital download cards will be successful?

Jim Mahoney: I refer to my previous answer and say that we as providers of music content must find the methods preferred by individuals and make use of them. I have enjoyed using both USB’s and download cards and think that each offers value to our industry and to fans. But the market is still in the early stages, I believe, of a flood of delivery methods and there is a limited number of hours per week so I wouldn’t want to predict which specific methods are going to be the ultimate successful ones. I also understand that the greater the splits – meaning the more methods of delivery – the less likely it is for any single form to be financially viable but that is the challenge of each delivery model company. If they can convince the individuals that their models are their favorites there should be no reason why artists and labels and the providers shouldn’t be fairly compensated. Music drives a number of brands as a marketing partner as well as a point of purchase or usage destination. Fairly monetizing each of these resources, I think, is key to surviving and thriving in the new music business model.

AmalgamDigital.com: In terms of networking within the music industry, how do you feel that A2IM is beneficial?

Jim Mahoney: HUGE! As I said earlier, time to properly get through our daily to do lists is the number one challenge I hear from everyone I talk to. Everyone is more busy than ever. We also have more tools, avenues, distribution methods, and services we need to utilize to market and monetize our music. That is both a good and a bad thing. It’s great because we have more chances than ever to reach fans but it’s bad because who has time to keep up with everything?!?! A2IM uses regular newsletters, e-mail blasts, group phone calls, committee meetings/presentations, industry events, and networking meetings/parties to allow our members to easily read about, hear about, speak with, or meet with those solutions providers that are available. Combining the chance to learn about such tools while within a social setting with peers facing similar challenges is without a doubt the most effective and enjoyable way to build important relationships and assist our members in determining which of the solutions companies is worth their challenged time when they return to their offices the next day.

AmalgamDigital.com: Who are your favorite artists to listen to?

Jim Mahoney: LOL…I’d love to tell you I am cutting edge and all about new indie music but that just wouldn’t be true. While I have a great front row seat to so many of you talented, young music companies and I do enjoy hearing music from P.O.S. or Vampire Weekend or The Exies early I spend most of my time now listening to Bob Marley and The Beatles. I spent the 80s and the 90s listening exclusively to rap and was profoundly and forever impacted by the power of hip-hop and will always love Run DMC, early LL, BDP, Public Enemy, Tribe, De La, EPMD, Eric B & Rakim, and Brand Nubian and whenever a great DJ hits the right set of old school rap I am in heaven.

AmalgamDigital.com: If you could do it all over again, would you still want to be involved in the music industry in the capacity that you are now?

Jim Mahoney: Yeah, sure. I mean, if I could choose I guess I’d say I’d like to have been born to incredibly wealthy parents and I’d have chosen para-sailing or professional Jamaican herb tester but short of that I’ve enjoyed all of my experiences in our business and I couldn’t be happier doing anything than what I’m currently doing. I get to interact on a daily basis with our varied members, entrepreneurs who each have a unique story, business model, and great characters. I get to feel like I’m helping make a difference and on top of it all, I’m learning A TON!!!

AmalgamDigital.com: Any last words?

Jim Mahoney: Become a member of A2IM! And, if you can’t or won’t join, at least contact me so that I can add you to our distribution/contact list. On so many issues we represent the entire Independent music community – member or not – and you should receive our non-member newsletters as a means of keeping up on issues and we welcome opinions and/or questions from non-members as well as members. My e-mail is jim.mahoney@a2im.org and my phone number is 646 432 5924.

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Mickey Factz Gets “Uber” For AmalgamDigital.com

Tuesday, March 18th, 2008
amalgam-mickeyfactz Mickey Factz Gets “Uber” For AmalgamDigital.com
Artist: Mickey Factz
Interviewer: Seneca “The Beast” Doss

Mickey Factz Gets “Uber” For AmalgamDigital.com

Interviewed by Seneca “The Beast” Doss 03-18-08

AmalgamDigital.com: Ok… so before I go any further, what exactly does GFCnewyork mean and represent?

Mickey Factz: GFCnewyork is a brand development/marketing firm. Basically we’re at the forefront of building cultural awareness and relevance for brands in today’s and tomorrow’s scene. We are the tastemaker’s, tastemaker so to speak.

AmalgamDigital.com: You and your crew are bringing in the “Uber Movement” to masses. For those that don’t know, what is this movement about and do you think the people are ready?

Mickey Factz: The Uber Movement is the future. Point blank. If your still relying on 2008 scenarios then you aren’t uber. The people better be ready for this movement. You see what happened to the idiots who kept using tapes when cd’s dropped. Haha

AmalgamDigital.com: One of your tracks is called Supra’s. What was the energy behind you making this song about the sneaker line?

Mickey Factz: I had just came back from China and we decided to just have fun and bug out in the studio about our favorite sneaker. By doing that, we created a hysteria.

AmalgamDigital.com: Your sound is out there. I look out in the industry and I see maybe Lupe being the closet’s thing to coming to you as an artist, but even that’s not fair. Your sound is completely different. How would you describe yourself as artist?

Mickey Factz: I’m one of the most eclectic, yet understandable artists in the game right now. I’m human. So naturally I wanna be free to do whatever the hell I want, without someone telling to me, “that won’t work.” I’m Mickey Factz! It’ll work!

AmalgamDigital.com: What made you adapt to this style of music instead of just laying traditional bars over a beat?

Mickey Factz: I can rap for hours on end over standard beats. I’ve done it for most of my life. It’s not challenging anymore. It’s absolutely regular to me. The tracks I choose to rap over gives me the flexibility to experiment with my flow and cover different topics.

AmalgamDigital.com: Hip-Hop has been embattled and tested over the years now, and many question the true definition of it more than ever. What is your definition of Hip-Hop and where does your music and sound fit in?

Mickey Factz: Hip Hop is a rebel against the machine. Folks didn’t expect Hip Hop to make it this far, but we have. Ironically, some “traditional” fans of our artform are so stuck in a routine mindset, that I’m rebelling against the hip hop they know by rapping how I’m rapping. And I’m having a blast being loved and hated for it.

AmalgamDigital.com: Other than your dad rapping around you as a kid and growing up in the Bronx, were there any other influences that helped to craft your skills and take on Hip-Hop?

Mickey Factz: Biggie, Big Daddy Kane, Pun, Big L, Jay-Z etc. I was and still am a fan of the lyricists. I’ve taken notes from all the greats and mixed it together with my own personal style.

AmalgamDigital.com: What advice would you give to someone trying to build noise as an artist like you have, without the engine of a major backing you?

Mickey Factz: The internet is your best friend. Get a team full of friends and make the internet the cornerstone of everything.

AmalgamDigital.com: What’s your take on being an independent artist versus holding it down on a major?

Mickey Factz: I can do whatever I feel like. I can release music whenever I want. I can talk about whatever I want. I’m my own label. I’ve done it this far, so I’ma keep going until the right situation presents itself.

AmalgamDigital.com: What new projects are you working now?

Mickey Factz: Right now currently the leak is available for download every week. Its going to be 3 installments of mixtapes this year. Every 17th week. And I’m working on my album at the present moment.

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